Autumn Todd Photography
Kristin demonstrates a keen grasp of intimacy, skillfully making use of perspective in order to enlist the empathy of her readers and audiences in an unflinching series of voyeuristic glances. These are claustrophobic glances into uncomfortable corners, where most of us would simply look the other way.
Imagine the tiny
dollop
of air inside
a soap bubble
floating
around a backyard
barbecue
struggling against
its own demise
pushing and
pulling
against fate
a thin soapy
membrane
holding oceans of
air at bay
uniquely alive
for just a moment
of silky
indulgence
too good to last
listen for the
brief
calamity of rushing air
momentary spasm
echoing
across the face of the universe
you will hear
the voice
of Kristin LaTour.
© 2009 Matthew S. Barton
There is a self evident quality to Blood, as if Kristin LaTour has simply pulled back a curtain on the pain and suffering that are the subtext of our own lives, inviting us to see it with new eyes. Given the subject matter, the imagery is spare and remarkably restrained, refusing to indulge the gluttonous appetites of our cynical blood-soaked imaginations. Instead, we are invited to set aside our conditioned responses to blood in order to take a closer look. Perhaps a more considerate, more compassionate look, without looking the other way.
"...an unflinching series of voyeuristic glances."
ReplyDeleteIsn't all art voyeurism?
"...where most of us would simply look the other way."
Unless "uncomfortable" things are your favorite things. No raindrops on roses here.
"There is a self evident quality..."
"self-evident" is the most apt descriptor. Haven't read any of these, but I definitely see that in her other stuff I've read, especially "Surgery". (Is that one in here?)
"the imagery is spare and remarkably restrained"
Thinking of "Surgery" again, what I like is maximum vividness and clarity in a minimum number of words. Sharp and intense w/o navel-gazing personal narrative.
"...refusing to indulge the gluttonous appetites of our cynical blood-soaked imaginations."
How 'bout happy and blood-soaked?
"Instead, we are invited to set aside our conditioned responses to blood in order to take a closer look."
I can't wait to read this.