Sunday, October 4, 2009

POGGIO CORPSE

I took my scissors with me to the Mercury Cafe on Friday night and we corpsed my poem Canto per Poggio. This is what happens when Chicago poets get their hands on sun-made California produce. Thanks to all the poets who contributed their voices to this project. This is an oleo of all the contributions I collected, so it would be virtually impossible to give credit to every poet represented here. But if anyone wants to take credit for their lines, please feel free.




In tosca I loaf
spin that ricotta pill
with me

green parsley
chants
in the chant room
totally roasted

bing baby bing!

roast your
sweet onion skin tongue
cherry baby arugula lips

white man clam
rock
rock
rock
tooooooooooooooo sweet

no white corn,
man
cherry to toes baby!
cherry to toes.

. . .

A nectarine sea
lemon sun setting
thinly.
Raw white
porn
cherry tomatoes
shave their sweet parmigiano

white bean doesn’t approve
she is such a prude.

. . .


I did not plant
green and yellow wax beans but
my green romanos greet me every morning
in august
heads rolling like summer squash.
. . .
The man clams
Josephine Lipuma
with a side
of chick sausage

prosecuted by karma

butter my beans in the summer
squash me
sweet and corny
spit on my belly

puree me, potato
skin
me like an olive
planted in my navel.


You braised my greens
with your
red celery heart

you were raw and sweet
but you left me
your parmigiano

you left me shaved
raw and bitter.

Guess what
--chicken butt

Cauliflower roasted

Guess whither
--chicken liver

Eggplant turns purple.
. . .
Rosemary and garlic
lean in close
for their next first kiss

honey dripping
gorgonzola oozing in the back
sliced fuji apples jealous
of the pears

lead them on
with lemon
wanta wanta wanta want a fanta

what do you we with arugula?

that caramelized rose
just like mother used to make
panceta jiggered

. . .

Rosemary escapes with Ricotta
to the
Savoy to see

Haricot Verts Balsamico
and the
Tijuana Brass.

Arugula sounds like honking.

. . .

VIOLENT FÜD

Potato Puree roasted
a whole snapper
and braised the right cheek
of a savory tomato sauce

with his fist!!!

The DA will be prosecuting di Parma
says Mayor Daley
and shaving
Parmigiano Arugula
because we have respect
for the law in this city.


Friday, October 2, 2009

JANUS THE TWO HEADED DOG


"ALMOST"S AND "NEVER WERE"S

lightening
never hurt as much,
bruises and
clenched fists
inconsequential
when compared to years of flinching, my
track shoe heart
running
a three minute mile at
any
sound of impact.

hail
never hurt as much,
direct hatred
never brought
the same pain
as knives twisted into spines
friendly
fire
digging under skin
till
innards drown,
devoured
by the friendliest hands

love
never hurt as much
too pure,
too certain to
manifest
demons like lost hope,
false
expectations.

death
never hurt as much
as blurrier things
like
Thunder
Rain
and Infatuation

© 2008 Esteban Colón

. . .

LISTENING FOR THE SUNRISE

There is no
comfort in the early morning
stillness

shadows staining
the bed sheets with
damp

sticky anxieties
eavesdropping
on unanswered questions

blurred at the edges
thunder rain infatuation
listening

for the sunrise
creeping through the grass
on the balls of its feet.

© 2008 Matthew S. Barton

. . .

She set down cards,
Cassandra
billed as entertainment
and
my body vibrated,
hand
tapping shoulders with realization,
her
harrowing words hardly noticed
till
my
tongue rang alarms of the last time
this
happened to Phil,
recalled her
dire prediction, the
laughter,
last time this
happened to Phil,
somebody died.

© 2008 Esteban Colón

. . .

IN THE REAR VIEW MIRROR

I don’t know Phil
or Mark or
Stephen or whatever

his name is
I don’t know the woman sitting next to him
reading a magazine

or the kids strapped
in the back
seat watching movies

I don’t know where they are going or
who is waiting for
them
and I don’t know

why he is in such a
hurry to make a
left turn
before the light changes

crossing the double yellow line in his
brown minivan with the
sagging
rear suspension

all I know is the
last time
this happened to Phil
someone died
in that brown minivan

and some poor sonofabitch couldn’t
find the words to
say everything
is okay
because Phil is in a hurry

or whatever his
name is.

© 2008 Matthew S. Barton

. . .

POETRY 101

This
is the self explanatory beginning
the
portion of the poem used to call for attention
or
get you to
instantly relate to the speaker.

[pause] line break

Stanza two
fills with
deeper description, the
continued narrative
the
rising action of drama
that,
or
charged repetition of elements in the first stanza

[pause] line break

Stanza three
climax and falling action
for shorter poems
build
for longer
colorful metaphor
leading to
a dramatic,
possibly ironic
ending

[pause] This is not a line break. I just ran out of room.

© 2008 Esteban Colón

. . .

RIPPLES ON THE WATER

I just ran out of room
for all of the
answers to questions

I never asked
why I still smile at the

touch of a
caterpillar crawling up the
back of my hand

pebbles breaking
the surface of a pond

I never asked why
the swallows
return to capistrano and

I am not waiting
for anyone to explain
why this

isn’t a line break
I just ran out of room.

© 2008 Matthew S. Barton

Monday, September 28, 2009

CANTO PER POGGIO

I've never eaten at Poggio Trattoria, nor have I actually been to Sausalito. I hear good things, but what draws me into this brief collaboration with Poggio is the menu. Not the food, nor the artistry of the preparations or even the creativity of the kitchen. Just the simple, understated beauty of the words. They speak for themselves, so here they are. I promise every word belongs to Poggio; I added nothing.


Chicken liver
roasted cauliflower white bean puree
grilled scallops
basil butter
sweet corn peppercress

hand pulled mozzarella
tomatoes
basil
aceto balsamico
bing cherries arugula

prosciutto di parma
oak grilled monterey bay sardines
eggplant
manila clams
calabrese sausage chickpeas

baked goat cheese
pinenut rosemary flatbread
nectarines
thinly sliced beef
parmigiano sea salt lemon
arugula

butter beans summer squash
sweet corn
and basil pesto

marinated beets
arugula
haricot verts balsamico
ricotta salata
gorgonzola
hazelnuts sliced fuji apples
honey

yellow romano beans summer squash
cucumbers tomatoes
raw sweet
white corn cherry tomatoes
shaved parmigiano

pecorino toscano

spinach ricotta pillows
with beef ragu combed potato gnocchi
green beans
roasted chanterelle mushrooms
parsley

white wine manila clams
rock shrimp
sweet white corn
cherry tomatoes and basil

green and yellow wax beans
summer squash
eggplant
sweet peppers tomato polenta

spit-roasted pork belly
braised greens apricots
red wine
hearts of celery
braised in a savory tomato sauce
potato puree

roasted whole snapper
with lemon
and savoy spinach
rosemary and garlic potatoes
sea salt

roasted chanterelle mushrooms
sweet onions
caramelized onion rosemary gorgonzola
pancetta
black mission figs

add prosciutto di parma
and arugula
shaved parmigiano
potato puree with sicilian olive oil
savoy spinach
with lemon

fatta in casa.

Sunday, September 27, 2009

BOONE ON LAWRENCE

Words to remember: Read Rock 'n Roll Dreams and Other Poems by Bob Lawrence. Read it now. Read it often. Read it to other people. Ask people to read it to you. If you have a chance, listen to Bob reading his poetry. It’s powerful stuff. It reminds us what poetry can be. It’s not fiction. It’s not film. It’s certainly not TV. It’s poetry, and we’re lucky poets like Bob still see their work as important.

Many of the poems in this chapbook are story poems. In "Synchronicity and Metonymy," he weaves together the story of his mother's death with an account of his own early years living in Chicago. It begins with the father, a piano tuner and accomplished musician, playing a piece and finally getting it right.

He feels relief and accomplishment,
like one who has pushed, pushed, pushed, pushed
on a tire wrench until the lug nut finally
gives.

The father goes into the one air conditioned room in the small Long Island house to tell his wife and discovers she has died. Her skin is already cool to the touch. He calls his niece and tells her what happened and then asks, What do I do now? The scene shifts to Chicago where Bob hates his job but loves riding his bike to work:

The path slips beneath my wheels
fluidly as last night’s rain;
the warm air rushes over me
like a benediction

On this particular day he races a stranger:

Like horses racing neck and neck.
we reach the section of the path
across from Buckingham Fountain
From here till McCormick Place
It’s all straightaway, baby!


At work, the usual hum drum is interrupted by a phone call:

"Hello, Bob." My father?!
"I’ve got some bad news:
Your mother died today."

Back home for the funeral, Bob watches his dad wandering through the house like a lost dog. The old man turns on the TV set but television cannot fill in the hollows that take shape in every room. The last passage is this:

and he does something I have
never seen him do: he weeps.

Bob could have told this many ways, but for my money, this is the best. A short narrative poem keeps it all in our head. We can see the father’s work, his wife, his son and the final anguish.

In another story poem Bob talks about rats:

Is this Chicago?
Or the fucking Congo?
Rats do not get that big
in the civilized world.


He also uses the poetry form to write arguments. There’s a lot out there that needs correcting, and Bob finds poetry the best way to point this out and make suggestions. In "The Pledge," he attacks the phrase one nation under god:

What do these words mean? . . .
What’s more, the phrase under God
was meant to distinguish U.S.
from atheistic U.S.S.R.
But if God is up above in skyblue,
the Commies are under God too.

After pointing out the obvious stupidities and inconsistencies, he makes a simple suggestion:

Let us not use
muddled phraseology
to push monotheist theology.


In "Rock 'n Roll Dreams," he speaks out for the old music:

I have a message
for the young blades in the audience.
Who are you to look askance at me!
You lurid latecomers!

He builds the early on the music he loves:

my veins have blazed
with great balls of fire
love potion number nine
and alligator wine.

From there he takes us to his nightmare:

I advised Buddy Holly:
air travel -- safest way to go,
especially in winter

It ends with a final fantasy:

And the young blades will cheer
Instead of jeer, and I’ll be
dancing on the moon.


In other poems, like his Haiku, Bob adheres to strict rules. Here’s one of my favorites:

The ridge of snow
Hanging from the garage roof
Just dropped


There’s a lot more to read in Bob’s chapbook. Four of my favorites are "Superman Gone Wild," "Two Cheers for Long Poems," "Surrealistic Pudding," and "The Wooden Blackbird." The quality is high. You sense his deep interest in the poem. He feels convinced that he has something to say. It’s a confidence I find contagious.

He even has some "One letter Poems":

WORLD'S SHORTEST NONCONCEITED POEM
U

THE ESSENCE OF PHILOSOPHY
B

WHAT A POET ASKS YOU TO DO
C

This last one is worth remembering because it is true and if you need reminding, R.
. . .
DR. ROBERT BOONE, author and educator, named a "Chicagoan of the Year" by Chicago Magazine in 2002 for founding Young Chicago Authors, a nonprofit creative writing organization. He was recently invited for breakfast at the White House. For more information on Bob Boone, check out his website:

Thursday, September 24, 2009

OVERHEARD ON PBS

If you listen, sometimes you hear poetry in the most unlikely places. These were all overheard on public television. I'm not in the habit of taking notes, so I can't promise that they are completely verbatim. But they're meant to be.
IF THEN

if
you aren’t
fortunate enough
to come into
your own
private
fifty acre
wooded reserve

then
I suppose
you have
no alternative
but
to buy your garlic
at the local
market.


. . .


ODE TO FÖLKFEST

It takes a rare
and special
kind of genius
to rhyme
queen scene
tambourine and
seventeen.


. . .


SOME CHEESES

Some
cheeses
are not
as
good as
others.

They
taste like
licking
a
window
pane.

Do not
eat
them.

Thursday, September 17, 2009

INUTIL PAISAGEM

. . . an epilogue for Michael Reese Hospital:

INUTIL PAISAGEM

Here I am with a
step ladder
and a box of light bulbs

standing at the corner
each morning
with my
lunchbox and a thermos
full of coffee

the men in black
lincolns never stop
and the
windows on ellis avenue
are still dark.

© 2009 Matthew S. Barton

Wednesday, September 2, 2009

SOUL BROTHER

Title: Soul Brother
Author: Matt Barton
Publisher: Naked Mannekin
Format: 7.5 x 5" Chapbook, 20 Pages
ISBN: N/A
List Price: $8.00

The question is: Does Matt Barton get inside of other peoples' heads or do other people get inside of Matt Barton's head? Either way, meeting Soul Brother is like being stuck in an elevator with a talkative escapee from Reality Sanitarium. It's real . . . maybe not your real, but real. It's also intense. And claustrophobic. And a bit uncomfortable. Soul Brother lives and breathes and shares more about his life than you expect. Don't miss Soul Brother.
--CHARLIE NEWMAN

Inside the mind of Matt Barton is a doorway to skewed universal perspectives. Nothing illustrates this better than “Soul Brother.” Peppered with references to the 1970’s, it is an absolute tribute to what it was like to be a kid during a lost decade. A time when simple things still had complications and heroes were hard to find.
--DAVID (BUDDHA 309) HARGARTEN