Monday, September 28, 2009

CANTO PER POGGIO

I've never eaten at Poggio Trattoria, nor have I actually been to Sausalito. I hear good things, but what draws me into this brief collaboration with Poggio is the menu. Not the food, nor the artistry of the preparations or even the creativity of the kitchen. Just the simple, understated beauty of the words. They speak for themselves, so here they are. I promise every word belongs to Poggio; I added nothing.


Chicken liver
roasted cauliflower white bean puree
grilled scallops
basil butter
sweet corn peppercress

hand pulled mozzarella
tomatoes
basil
aceto balsamico
bing cherries arugula

prosciutto di parma
oak grilled monterey bay sardines
eggplant
manila clams
calabrese sausage chickpeas

baked goat cheese
pinenut rosemary flatbread
nectarines
thinly sliced beef
parmigiano sea salt lemon
arugula

butter beans summer squash
sweet corn
and basil pesto

marinated beets
arugula
haricot verts balsamico
ricotta salata
gorgonzola
hazelnuts sliced fuji apples
honey

yellow romano beans summer squash
cucumbers tomatoes
raw sweet
white corn cherry tomatoes
shaved parmigiano

pecorino toscano

spinach ricotta pillows
with beef ragu combed potato gnocchi
green beans
roasted chanterelle mushrooms
parsley

white wine manila clams
rock shrimp
sweet white corn
cherry tomatoes and basil

green and yellow wax beans
summer squash
eggplant
sweet peppers tomato polenta

spit-roasted pork belly
braised greens apricots
red wine
hearts of celery
braised in a savory tomato sauce
potato puree

roasted whole snapper
with lemon
and savoy spinach
rosemary and garlic potatoes
sea salt

roasted chanterelle mushrooms
sweet onions
caramelized onion rosemary gorgonzola
pancetta
black mission figs

add prosciutto di parma
and arugula
shaved parmigiano
potato puree with sicilian olive oil
savoy spinach
with lemon

fatta in casa.

Sunday, September 27, 2009

BOONE ON LAWRENCE

Words to remember: Read Rock 'n Roll Dreams and Other Poems by Bob Lawrence. Read it now. Read it often. Read it to other people. Ask people to read it to you. If you have a chance, listen to Bob reading his poetry. It’s powerful stuff. It reminds us what poetry can be. It’s not fiction. It’s not film. It’s certainly not TV. It’s poetry, and we’re lucky poets like Bob still see their work as important.

Many of the poems in this chapbook are story poems. In "Synchronicity and Metonymy," he weaves together the story of his mother's death with an account of his own early years living in Chicago. It begins with the father, a piano tuner and accomplished musician, playing a piece and finally getting it right.

He feels relief and accomplishment,
like one who has pushed, pushed, pushed, pushed
on a tire wrench until the lug nut finally
gives.

The father goes into the one air conditioned room in the small Long Island house to tell his wife and discovers she has died. Her skin is already cool to the touch. He calls his niece and tells her what happened and then asks, What do I do now? The scene shifts to Chicago where Bob hates his job but loves riding his bike to work:

The path slips beneath my wheels
fluidly as last night’s rain;
the warm air rushes over me
like a benediction

On this particular day he races a stranger:

Like horses racing neck and neck.
we reach the section of the path
across from Buckingham Fountain
From here till McCormick Place
It’s all straightaway, baby!


At work, the usual hum drum is interrupted by a phone call:

"Hello, Bob." My father?!
"I’ve got some bad news:
Your mother died today."

Back home for the funeral, Bob watches his dad wandering through the house like a lost dog. The old man turns on the TV set but television cannot fill in the hollows that take shape in every room. The last passage is this:

and he does something I have
never seen him do: he weeps.

Bob could have told this many ways, but for my money, this is the best. A short narrative poem keeps it all in our head. We can see the father’s work, his wife, his son and the final anguish.

In another story poem Bob talks about rats:

Is this Chicago?
Or the fucking Congo?
Rats do not get that big
in the civilized world.


He also uses the poetry form to write arguments. There’s a lot out there that needs correcting, and Bob finds poetry the best way to point this out and make suggestions. In "The Pledge," he attacks the phrase one nation under god:

What do these words mean? . . .
What’s more, the phrase under God
was meant to distinguish U.S.
from atheistic U.S.S.R.
But if God is up above in skyblue,
the Commies are under God too.

After pointing out the obvious stupidities and inconsistencies, he makes a simple suggestion:

Let us not use
muddled phraseology
to push monotheist theology.


In "Rock 'n Roll Dreams," he speaks out for the old music:

I have a message
for the young blades in the audience.
Who are you to look askance at me!
You lurid latecomers!

He builds the early on the music he loves:

my veins have blazed
with great balls of fire
love potion number nine
and alligator wine.

From there he takes us to his nightmare:

I advised Buddy Holly:
air travel -- safest way to go,
especially in winter

It ends with a final fantasy:

And the young blades will cheer
Instead of jeer, and I’ll be
dancing on the moon.


In other poems, like his Haiku, Bob adheres to strict rules. Here’s one of my favorites:

The ridge of snow
Hanging from the garage roof
Just dropped


There’s a lot more to read in Bob’s chapbook. Four of my favorites are "Superman Gone Wild," "Two Cheers for Long Poems," "Surrealistic Pudding," and "The Wooden Blackbird." The quality is high. You sense his deep interest in the poem. He feels convinced that he has something to say. It’s a confidence I find contagious.

He even has some "One letter Poems":

WORLD'S SHORTEST NONCONCEITED POEM
U

THE ESSENCE OF PHILOSOPHY
B

WHAT A POET ASKS YOU TO DO
C

This last one is worth remembering because it is true and if you need reminding, R.
. . .
DR. ROBERT BOONE, author and educator, named a "Chicagoan of the Year" by Chicago Magazine in 2002 for founding Young Chicago Authors, a nonprofit creative writing organization. He was recently invited for breakfast at the White House. For more information on Bob Boone, check out his website:

Thursday, September 24, 2009

OVERHEARD ON PBS

If you listen, sometimes you hear poetry in the most unlikely places. These were all overheard on public television. I'm not in the habit of taking notes, so I can't promise that they are completely verbatim. But they're meant to be.
IF THEN

if
you aren’t
fortunate enough
to come into
your own
private
fifty acre
wooded reserve

then
I suppose
you have
no alternative
but
to buy your garlic
at the local
market.


. . .


ODE TO FÖLKFEST

It takes a rare
and special
kind of genius
to rhyme
queen scene
tambourine and
seventeen.


. . .


SOME CHEESES

Some
cheeses
are not
as
good as
others.

They
taste like
licking
a
window
pane.

Do not
eat
them.

Thursday, September 17, 2009

INUTIL PAISAGEM

. . . an epilogue for Michael Reese Hospital:

INUTIL PAISAGEM

Here I am with a
step ladder
and a box of light bulbs

standing at the corner
each morning
with my
lunchbox and a thermos
full of coffee

the men in black
lincolns never stop
and the
windows on ellis avenue
are still dark.

© 2009 Matthew S. Barton

Wednesday, September 2, 2009

SOUL BROTHER

Title: Soul Brother
Author: Matt Barton
Publisher: Naked Mannekin
Format: 7.5 x 5" Chapbook, 20 Pages
ISBN: N/A
List Price: $8.00

The question is: Does Matt Barton get inside of other peoples' heads or do other people get inside of Matt Barton's head? Either way, meeting Soul Brother is like being stuck in an elevator with a talkative escapee from Reality Sanitarium. It's real . . . maybe not your real, but real. It's also intense. And claustrophobic. And a bit uncomfortable. Soul Brother lives and breathes and shares more about his life than you expect. Don't miss Soul Brother.
--CHARLIE NEWMAN

Inside the mind of Matt Barton is a doorway to skewed universal perspectives. Nothing illustrates this better than “Soul Brother.” Peppered with references to the 1970’s, it is an absolute tribute to what it was like to be a kid during a lost decade. A time when simple things still had complications and heroes were hard to find.
--DAVID (BUDDHA 309) HARGARTEN